by John H. Darko | 23 Mar 2018 Last November we reviewed and DAR-KO awarded the ProAc Tablette 10 (£995) – an LS3/5a-nodding two-way loudspeaker that comprises a sealed box – wider than it is deep – capable of low bass but with a particular talent for extracting the human voice from the densest of indie rock/pop mixes. As that review wrapped there came via ProAc’s German handler whispers of an improved model’s imminent arrival. And sure

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by TAS Staff | Nov 23rd, 2018 ATC SCM19-AT $9999 The active, two-way, tower version of ATM’s compact, passive SCM19, the 19-AT equals or betters the stand-mounted version across virtually all sonic criteria. It has superior bass extension, although its greatly improved low-end control and pitch definition are what truly engage the listener. Images just lock in. Its comforting warmth in the lower mids and upper bass further adds to the impression of musical scale and

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Jon Iverson  |  Jan 13, 2018 The sign up above said GoldenEar Technology, but when I walked in it looked like any normal hotel room. No big banners, black cloth draped along the walls or spotlights. And then at the far end I spotted company president Sandy Gross sitting on the couch and a single bookshelf speaker sitting on a stand. That was it. But as soon as I introduced myself, Sandy jumped up and starting talking

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John Atkinson  |  Jan 16, 2018 I was working on our video coverage of the 2018 CES with our resident videographer Jana Dagdagan, and as video is such a time sink, I wasn't able to visit as many rooms as I usually do. But one room I managed to visit and that stood out when it came to sound quality was Constellation's. Jon Iverson already blogged about this room, which featured the Revelation Series Pictor preamplifier and Taurus

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by Neil Gader | Jan 22nd, 2018 Terror on the 29th Floor It’s over. Or, is it? First impressions at CES 2018 told me that for all intents and purposes the high end will not be returning to Las Vegas in the foreseeable future. However, my thoroughly unscientific polling of exhibitors revealed a roughly fifty-fifty split in favor of giving it one more go. What gives? It all depends on perceptions. For example, since exhibitors were mostly concentrated

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Reviewed on 16th November 2017 Q Acoustics leaves its budget roots to challenge the high-end establishment. The Q Acoustics brand has been a major success story. The company is barely a decade old, but in that time it has delivered a series of class-leading and affordable products that have garnered plenty of What Hi-Fi? Awards. But it seems that is no longer sufficient - the brand is targeting an expansion into the high-end market. The Concept 500 floorstanders are its initial

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by Chris Martens | Nov 28, 2017 Sandy Gross is widely acknowledged as an audio legend in large part because he has played a central role in launching three major loudspeaker-manufacturing companies: Polk Audio, Definitive Technology, and most recently GoldenEar Technology. As we have noted in the past one common thread connecting these firms involves a commitment to producing sensibly priced loudspeakers that give their owners a substantial taste of authentic high-end sound quality. At GoldenEar,

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Mark Fleischmann  |  Aug 3, 2017 Tube amps. Mono pressings. And now, 5.1? Has bedrock surround sound indeed joined the ranks of retro audio technologies? Surround receivers beyond the most entry level nearly always have more than five channels (though their uses vary), while Dolby Atmos and DTS:X have made seven (5.1.2) the new minimum system configuration. What happens when you go in the other direction? The flood of 5.1 speaker sets that I used to review

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Dick Olsher  |  Oct 10, 2017  |  First Published: Aug 1, 1987 High fidelity took a giant step forward in 1956 with Peter Walker's introduction of the Quad ESL. Walker's research efforts had been motivated by his firm belief in the superiority of the electrostatic dipole over the box loudspeaker, but actually to take the economic plunge and market such a speaker was surely an act of bravery. After all, those were the pre-stereo, pre-audiophile days of the mid '50s,

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by TAS Staff | Oct 13th, 2017 GoldenEar Technology Triton Five $1999 Sandy Gross, the proprietor of GoldenEar, may be the Babe Ruth of reasonably priced loudspeakers. With the Triton Five, the gregarious Gross has hit yet another one out of the park. Named after the sea god Triton who could calm or rouse the waves by blowing on his conch, the Triton has a similar quality. It’s a remarkably low-distortion design that belts out Led

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