by TAS Staff | Dec 12th, 2018 The following is a press release issued by GoldenEar Technology. Baltimore | December 12, 2018 - GoldenEar Technology is pleased to announce the introduction of the new Triton One.R. This extraordinary new reference quality loudspeaker is a smaller, less expensive follow up to the Triton Reference, which has had a remarkable response in the marketplace from both music and hifi enthusiasts as well as the press and reviewers from around the

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by TAS Staff | Dec 07th, 2018 The following is a press release issued by Magico. HAYWARD, CA (USA) | December 7, 2018 – Magico, the Leader in High-Performance Loudspeaker Design and Manufacture, is pleased to announce the M2 which expands the M-Series product lineup and features many ground-breaking engineering designs distilled from the M6 and M3. Our materials science research in the properties and applications of carbon allows the M2 to feature a new monocoque enclosure. Similar

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by Chris Martens| Jun 25, 2018 The White Bear Lake, Minnesota-based loudspeaker manufacturer Magnepan never takes the launch of a new flagship model lightly and this is especially true in the case of the recently released four-panel 30.7 dipolar loudspeaker system ($30,000/pair in the US). For readers who have never seen Magnepan loudspeakers in the flesh, it helps to know that they are tall, wide, thin, and completely ‘boxless’ dipolar, panel-type speakers that look much like tasteful

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by Jonathan Valin | Dec 02nd, 2017 I’m going to start this blog by repeating some of what I wrote about Magico’s limited-edition, tenth-anniversary M Project loudspeaker, since Magico’s new M Series flagship, the M6, wouldn’t exist without it. After this, I will delve into how the M6 differs from its superb predecessor (and it differs quite significantly) and how those differences affect its presentation. I might as well say at the start that the M6 is,

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by Neil Gader | Jan 22nd, 2018 Terror on the 29th Floor It’s over. Or, is it? First impressions at CES 2018 told me that for all intents and purposes the high end will not be returning to Las Vegas in the foreseeable future. However, my thoroughly unscientific polling of exhibitors revealed a roughly fifty-fifty split in favor of giving it one more go. What gives? It all depends on perceptions. For example, since exhibitors were mostly concentrated

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Reviewed on 16th November 2017 Q Acoustics leaves its budget roots to challenge the high-end establishment. The Q Acoustics brand has been a major success story. The company is barely a decade old, but in that time it has delivered a series of class-leading and affordable products that have garnered plenty of What Hi-Fi? Awards. But it seems that is no longer sufficient - the brand is targeting an expansion into the high-end market. The Concept 500 floorstanders are its initial

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by Chris Martens | Nov 28, 2017 Sandy Gross is widely acknowledged as an audio legend in large part because he has played a central role in launching three major loudspeaker-manufacturing companies: Polk Audio, Definitive Technology, and most recently GoldenEar Technology. As we have noted in the past one common thread connecting these firms involves a commitment to producing sensibly priced loudspeakers that give their owners a substantial taste of authentic high-end sound quality. At GoldenEar,

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by TAS Staff | Oct 13th, 2017 GoldenEar Technology Triton Five $1999 Sandy Gross, the proprietor of GoldenEar, may be the Babe Ruth of reasonably priced loudspeakers. With the Triton Five, the gregarious Gross has hit yet another one out of the park. Named after the sea god Triton who could calm or rouse the waves by blowing on his conch, the Triton has a similar quality. It’s a remarkably low-distortion design that belts out Led

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by Jonathan Valin | Oct 07th, 2017 Over the years I’ve listened to just about every loudspeaker that Jim Winey’s fabled Minnesota company Magnepan has engineered and manufactured. I’ve also owned more Magneplanars than any other kind of loudspeaker. Why? Because from the moment I first heard the Tympani 1-Us in Basil Gouletas’ Chicago apartment back in 1973—and I’ve written about that paradigm-changing moment repeatedly—I haven’t been able to get past the realism with which these

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Robert Deutsch  |  Jul 11, 2017 If Stereophile gave an award for Loudspeaker We've Most Frequently Reviewed, the hands-down winner would have to be the Quad ESL. The list of past and present Stereophile contributors who've written about the ESL's various incarnations includes John Atkinson, Martin Colloms, Anthony H. Cordesman, Art Dudley, Larry Greenhill, J. Gordon Holt, Ken Kessler, Dick Olsher, Herb Reichert, William Sommerwerck, Steven Stone, and Sam Tellig. The ESL-63 was John Atkinson's personal "Editor's Choice" in 1992, and the ESL-989, a

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